Niematerialność sztuki w estetyce XVIII wieku. Rozważania Charlesa Batteux nad myślą lorda Shaftesbury’ego
Abstract
Author: Kaśkiewicz Kinga
Title: NON-MATERIALITY OF ART IN THE EIGHTEENTH CENTURY AESTHETICS. CHARLES BATTEUX CONSIDERATIONS CONCERNING LORD SHAFTESBURY’S THOUGHT (Niematerialność sztuki w estetyce XVIII wieku. Rozważania Charlesa Batteux nad myślą lorda Shaftesbury’ego)
Source: Filo-Sofija
year: 2009, vol:.9, number: 2009/1, pages: 73-82
Keywords: BATTEUX, SHAFTESBURY, MATERIALITY AND NON-MATERIALITY OF ART, SENSUAL OBJECT, IDEA, OBJECT OF IMAGINATION
Discipline: PHILOSOPHY
Language: POLISH
Document type: ARTICLE
Publication order reference (Primary author’s office address):
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Abstract The scope of the article is twofold. The first issue is connected with the problem of materiality and non-materiality of art, the difference between a sensual object and an idea, between an analogue and an object of imagination. I endeavour to show that H.-G. Gadamer’s and J.P. Sartre’s contemporary conceptions, despite their revolutionary conclusions, are deeply rooted in classical aesthetics. The second part of the article is an attempt to reconstruct the aforementioned question on the examples of the eighteenth-century philosophies of Ch. Batteux and Shaftesbury in which the idea (or the object of imagination) was esteemed superior to the empirical object of the work of art.
Title: NON-MATERIALITY OF ART IN THE EIGHTEENTH CENTURY AESTHETICS. CHARLES BATTEUX CONSIDERATIONS CONCERNING LORD SHAFTESBURY’S THOUGHT (Niematerialność sztuki w estetyce XVIII wieku. Rozważania Charlesa Batteux nad myślą lorda Shaftesbury’ego)
Source: Filo-Sofija
year: 2009, vol:.9, number: 2009/1, pages: 73-82
Keywords: BATTEUX, SHAFTESBURY, MATERIALITY AND NON-MATERIALITY OF ART, SENSUAL OBJECT, IDEA, OBJECT OF IMAGINATION
Discipline: PHILOSOPHY
Language: POLISH
Document type: ARTICLE
Publication order reference (Primary author’s office address):
E-mail:
www:
Abstract The scope of the article is twofold. The first issue is connected with the problem of materiality and non-materiality of art, the difference between a sensual object and an idea, between an analogue and an object of imagination. I endeavour to show that H.-G. Gadamer’s and J.P. Sartre’s contemporary conceptions, despite their revolutionary conclusions, are deeply rooted in classical aesthetics. The second part of the article is an attempt to reconstruct the aforementioned question on the examples of the eighteenth-century philosophies of Ch. Batteux and Shaftesbury in which the idea (or the object of imagination) was esteemed superior to the empirical object of the work of art.
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